5 June 2017 - It is Monday, the day after the day after. I am alone in a gallery in the British Museum with the Assyrian king Ashurnasirpal II. It is late afternoon and rain is battering the glass panels in the ceiling. The fine weather of the past week is already a distant memory, but that’s how summer works in England. The cuneiform inscription around the king reads, among other things “I am important; I am magnificent” before describing how brutally he used to kill his enemies. He has the best brutality, everybody says so.
Before coming to the museum, I had spent the day up the road at the British Library reading eighteenth-century manuscripts. On Saturday night, three terrorists had driven a van into pedestrians at London Bridge and attacked people with knives at the nearby Borough Market. As I went about my day, reading in the library and meeting with colleagues also going about their day, I followed the thread updating on The Guardian’s website, learning more details as the authorities released them. Mostly though I was concerned with honing an argument about whether comical poetry written in Delhi three hundred years ago was a social critique or just harmless fun. Armed police had shot the terrorists dead in eight minutes. I am not a callow, out of touch academic. I am fighting back.
Before coming to the museum, I had spent the day up the road at the British Library reading eighteenth-century manuscripts. On Saturday night, three terrorists had driven a van into pedestrians at London Bridge and attacked people with knives at the nearby Borough Market. As I went about my day, reading in the library and meeting with colleagues also going about their day, I followed the thread updating on The Guardian’s website, learning more details as the authorities released them. Mostly though I was concerned with honing an argument about whether comical poetry written in Delhi three hundred years ago was a social critique or just harmless fun. Armed police had shot the terrorists dead in eight minutes. I am not a callow, out of touch academic. I am fighting back.
